Nathan Holic's graphic-novel interpretation at Atticus Review:
http://atticusreview.org/a-comic-adaptation-of-fight-for-your-long-day-episode-1/
http://atticusreview.org/fight-for-your-long-day-a-comic-adaptation-episode-2/
http://atticusreview.org/fight-for-your-long-day-a-comic-adaptation-episode-3/
http://atticusreview.org/fight-for-your-long-day-a-comic-series-adaptation/
http://atticusreview.org/still-fighting-for-your-long-ass-day/
Radio:
http://nhpr.org/post/fight-your-long-day
Videos:
http://writing.upenn.edu/wh/multimedia/tv/reruns/watch/108019
http://www.youtube.com/watch?v=Fah_s1XHswo
http://www.ustream.tv/recorded/42577902 (first speaker's paper partly concerns FFYLD; I start speaking around minute 48 minute, but the middle paper is a penetrating look at how adjunct concerns intersect with Jesuit college mission statements)
Excerpts:
http://atticusbooksonline.com/blog/2011/05/16/fight-for-your-ippy-gold/
http://atticusbooksonline.com/books/2010-releases/fight-for-your-long-day/excerpt/
Alex Kudera’s award-winning novel, Fight for Your Long Day (Atticus Books), was drafted in a walk-in closet during a summer in Seoul, South Korea. Auggie’s Revenge (Beating Windward Press) is his second novel. His numerous short stories include “Frade Killed Ellen” (Dutch Kills Press), “Bombing from Above” (Heavy Feather Review), and “A Thanksgiving” (Eclectica Magazine).
Showing posts with label Atticus Review. Show all posts
Showing posts with label Atticus Review. Show all posts
Wednesday, March 13, 2013
Thursday, March 7, 2013
feed the fire
The Huffington Post recognizes that Atticus Books is a publisher intent on lighting the lamp of literature.
Friday, February 22, 2013
the weird kind of love from Atticus Review
Allow me to introduce Nathan Holic's latest interpretation of a classroom scene from Fight for Your Long Day.
thank you & have a good weekend.
thank you & have a good weekend.
Tuesday, September 18, 2012
graphic classroom
Thanks to Atticus's Dan Cafaro and Nathan Holic for the next installment of the graphic-novel interpretation of Fight for Your Long Day. There's a lot going on at the Atticus Books website as well, including the novel-in-emails, The Book I Will Write and a series on rejection letters from contributors far and wide.
Monday, April 30, 2012
April 30 (before it was Starbucks)
I enjoyed Mike Hampton's coffee and Kentucky over at Atticus Review.
Wednesday, February 22, 2012
Kim Gek Lin Short, Eric D. Goodman, The Rag and more
An Evening of Literature with Alex Kudera: Starring Kim Gek Lin Short, Featuring Eric D. Goodman, and Introducing The Rag.
Eric D. Goodman is a full-time writer and editor. His novel in stories, Tracks, was published by Atticus Books summer 2011. He’s also the author of the childrens' book, Flightless Goose. Eric's work has appeared in The Baltimore Review, Pedestal Magazine, Writers Weekly, The Potomac, Barrelhouse, JMWW, Scribble, Slow Trains, and New Lines from the Old Line State: An Anthology of Maryland Writers, among others. His second novel, Womb, is currently with his agent. Visit Eric on Facebook, Twitter, and at his literary blog, Writeful. Learn about his latest work, Tracks, at www.TracksNovel.com.
Alex Kudera’s debut novel, Fight for Your Long Day, won the 2011 Independent Publisher’s Gold Medal for Best Fiction from the Mid-Atlantic Region. It is an original academic tragicomedy told consistently from the perspective of the adjunct instructor, and reviews and interviews can be found online at Inside Higher Ed, Academe, The Chronicle of Higher Education, The Philadelphia Inquirer, and other locations. In 2012, Atticus Review is running Nathan Holic's graphic-novel interpretation of Fight for Your Long Day in monthly installments. Many of Kudera’s stories survive in slush piles across the continent or huddled together in unheated North Philly storage space, but The Betrayal of Times of Peace and Prosperity is available as a 99-cent single wherever e-books are downloaded. Alex received his masters in creative writing from Temple University and currently teaches writing and literature at Clemson University in South Carolina.
The Rag seeks the true grit of the literary world. Our writers never pull their punches; the results are unfiltered and sometimes disquieting, but this is contemporary literature--always fresh, always relevant. The way people are reading literature is changing. E-readers are rapidly replacing the demand for print, and some fear that a sinking print market will ultimately drown the future of contemporary literature in its undertow. We disagree. We see electronic publishing as an opportunity; it allows us to turn back time to an era of affordable distribution and open competition, one we believe will aid in putting the literary magazine back into the entertainment market. We view the changing market as a challenge, and we’re rising to the demands of literary consumers by bringing a print aesthetic to the digital world. Our readers are enjoying some of the best writing on the market, but on the screens of their Kindles, iPads, Smart Phones, and PCs. We invite you to join in experiencing the future of contemporary literature. We invite you to join The Rag.
Please join us at Moonstone Arts Center on Wednesday evening March 21 at 7 p.m. for readings of original fiction and poetry from the Mid-Atlantic Region. Wine and snacks will be served, and signed copies of recent titles will be available from various authors.
Kim Gek Lin Short was born in Singapore and spent her childhood in places like Manila, Jakarta, and Calgary. She moved to the States during the wonderful terrible 80s and lived in Denver, San Francisco, and Brooklyn before settling in Philly where she co-curates the reading series General Idea, and is an editor at Coconut. Kim’s work has been nominated for a Pushcart Prize and has appeared in numerous publications such as Absent, Caketrain, and No Tell Motel, and in anthologies like Narrative (Dis)Continuties: Prose Experiments by Younger American Writers. Her books include The Bugging Watch & Other Exhibits and the lyric novel China Cowboy, both from Tarpaulin Sky Press, and the chapbooks The Residents (dancing girl press) and Run (Rope-a-Dope), a 2010 Golden Gloves winner.
Kim Gek Lin Short was born in Singapore and spent her childhood in places like Manila, Jakarta, and Calgary. She moved to the States during the wonderful terrible 80s and lived in Denver, San Francisco, and Brooklyn before settling in Philly where she co-curates the reading series General Idea, and is an editor at Coconut. Kim’s work has been nominated for a Pushcart Prize and has appeared in numerous publications such as Absent, Caketrain, and No Tell Motel, and in anthologies like Narrative (Dis)Continuties: Prose Experiments by Younger American Writers. Her books include The Bugging Watch & Other Exhibits and the lyric novel China Cowboy, both from Tarpaulin Sky Press, and the chapbooks The Residents (dancing girl press) and Run (Rope-a-Dope), a 2010 Golden Gloves winner.
Eric D. Goodman is a full-time writer and editor. His novel in stories, Tracks, was published by Atticus Books summer 2011. He’s also the author of the childrens' book, Flightless Goose. Eric's work has appeared in The Baltimore Review, Pedestal Magazine, Writers Weekly, The Potomac, Barrelhouse, JMWW, Scribble, Slow Trains, and New Lines from the Old Line State: An Anthology of Maryland Writers, among others. His second novel, Womb, is currently with his agent. Visit Eric on Facebook, Twitter, and at his literary blog, Writeful. Learn about his latest work, Tracks, at www.TracksNovel.com.
Alex Kudera’s debut novel, Fight for Your Long Day, won the 2011 Independent Publisher’s Gold Medal for Best Fiction from the Mid-Atlantic Region. It is an original academic tragicomedy told consistently from the perspective of the adjunct instructor, and reviews and interviews can be found online at Inside Higher Ed, Academe, The Chronicle of Higher Education, The Philadelphia Inquirer, and other locations. In 2012, Atticus Review is running Nathan Holic's graphic-novel interpretation of Fight for Your Long Day in monthly installments. Many of Kudera’s stories survive in slush piles across the continent or huddled together in unheated North Philly storage space, but The Betrayal of Times of Peace and Prosperity is available as a 99-cent single wherever e-books are downloaded. Alex received his masters in creative writing from Temple University and currently teaches writing and literature at Clemson University in South Carolina.
The Rag seeks the true grit of the literary world. Our writers never pull their punches; the results are unfiltered and sometimes disquieting, but this is contemporary literature--always fresh, always relevant. The way people are reading literature is changing. E-readers are rapidly replacing the demand for print, and some fear that a sinking print market will ultimately drown the future of contemporary literature in its undertow. We disagree. We see electronic publishing as an opportunity; it allows us to turn back time to an era of affordable distribution and open competition, one we believe will aid in putting the literary magazine back into the entertainment market. We view the changing market as a challenge, and we’re rising to the demands of literary consumers by bringing a print aesthetic to the digital world. Our readers are enjoying some of the best writing on the market, but on the screens of their Kindles, iPads, Smart Phones, and PCs. We invite you to join in experiencing the future of contemporary literature. We invite you to join The Rag.
Sunday, September 18, 2011
the latest from Atticus Books
Lacey N. Dunham has joined Atticus Books, the red hot lover of Atticus Review, an on the prowl, or at least online, literary journal presently experiencing a lot of eyeball action (read "page views"). With reporters on the ground in an ever increasing number of nations and business concerns, The Less United States of Kudera was able to penetrate deep into the bandwidth for top-secret communiques, and extract this snippet from Atticus Publisher Dan Cafaro:
"Lacey is a former bookseller with Politics & Prose Bookstore & Coffeehouse in Washington, DC, and the editor of the online literary publication, THIS Literary Magazine. For Politics & Prose, Lacey performed an assortment of duties and was their go-to person for social media and online book groups. Lacey has written for Ploughshares, The Collagist, The Washington Spark, and The Feminist Review, among others, and is a columnist at the Used Furniture Review. She studied writing at Hollins University [in Virginia]."
Atticus also placed a rack of its titles at Novel Places in Clarksburg, Maryland, and rumor has it that the young pub might be the first press in history to offer a million-dollar book contract to an imaginary friend.
"Lacey is a former bookseller with Politics & Prose Bookstore & Coffeehouse in Washington, DC, and the editor of the online literary publication, THIS Literary Magazine. For Politics & Prose, Lacey performed an assortment of duties and was their go-to person for social media and online book groups. Lacey has written for Ploughshares, The Collagist, The Washington Spark, and The Feminist Review, among others, and is a columnist at the Used Furniture Review. She studied writing at Hollins University [in Virginia]."
Atticus also placed a rack of its titles at Novel Places in Clarksburg, Maryland, and rumor has it that the young pub might be the first press in history to offer a million-dollar book contract to an imaginary friend.
Friday, April 22, 2011
submitting to mixed media
Here's a nifty new location for all of your mixed-media needs as well as an invitation to submit your own work:
http://www.facebook.com/?ref=home#!/notes/matt-mullins/call-for-submissions-of-electronic-literature/2011294479678
Note: to the best of my knowledge, i do not mix media when i write, and i certainly don't film it or call my films "writing" or film myself writing, and i only daydream about the movies a little bit during the course of my normal daydreams during fits of writing; furthermore, i do not necessarily condone the people or the work associated with this whole "mixed media" business, but that should not be understood to mean that i fail to castigate them either.
But as the "blind guy" in Carver's "Cathedral" put it, "When I drink whiskey . . . "
2nd note: And don't expect anything that shows up at Atticus Review to possess even half the genius of Fight for Your Long Day!
Hah!
Whoa!
Ouch!
I've been hit. I'm down.
(No, it's not too bad. It'll be okay. I'll be alright, folks.)
Have a good friday and an even better saturday, but please take it easy on the you-know-what on sunday.
peace.
http://www.facebook.com/?ref=home#!/notes/matt-mullins/call-for-submissions-of-electronic-literature/2011294479678
Note: to the best of my knowledge, i do not mix media when i write, and i certainly don't film it or call my films "writing" or film myself writing, and i only daydream about the movies a little bit during the course of my normal daydreams during fits of writing; furthermore, i do not necessarily condone the people or the work associated with this whole "mixed media" business, but that should not be understood to mean that i fail to castigate them either.
But as the "blind guy" in Carver's "Cathedral" put it, "When I drink whiskey . . . "
2nd note: And don't expect anything that shows up at Atticus Review to possess even half the genius of Fight for Your Long Day!
Hah!
Whoa!
Ouch!
I've been hit. I'm down.
(No, it's not too bad. It'll be okay. I'll be alright, folks.)
Have a good friday and an even better saturday, but please take it easy on the you-know-what on sunday.
peace.
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Auggie's Revenge and Fight for Your Long Day
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