Dan Fante, writer

The writer Dan Fante joined his father John Fante this week. Both were novelists of Los Angeles championed in France for their "down and out in America" themes. Dan was published in French before he was published in English, and his best works were Chump Change and the family memoir, Fante. Mostly off the beaten path as an adult, Dan was teaching at the UCLA extension school for writers in some of his last years. Possibly his father would be seen as the more "important" literary figure (Ask the Dust, Brotherhood of the Grape, Dreams of Bunker Hill, screenplay credits including one for Algren's Walk on the Wild Side), and Dan was quite proud of his father's accomplishment and his Italian heritage. Late in life, Dan was partnering with his native province in Italy and getting his works translated into Italian. I discovered Chump Change in a Barnes and Noble across the country, back when small-press titles had a shot of sneaking into the chain stores, even if the authors weren't "local." Fifteen years later it would be far more difficult to learn of writers like the Fantes although since I found Chump Change in Philly, I've seen that Dan has had most of his books reprinted by a New York big, and almost all of John's titles have stayed in print and seem to be selling as well as ever. Famously, it was Charles Bukowski who discovered John Fante in the Los Angeles library, and would help revive interest in the author years later. They're all gone now, but not forgotten.

Guardian obituary: http://www.theguardian.com/books/2015/nov/25/dan-fante-underground-writer-legacy-chump-change-mooch

My interview with Dan in 2009: http://whenfallsthecoliseum.com/2009/05/21/an-interview-with-author-dan-fante/

Dan Fante articles in the L.A. Times: http://articles.latimes.com/keyword/dan-fante

Other obituaries: 

Examiner: http://www.examiner.com/article/daniel-smart-dan-fante-february-19-1944-november-23-2015

Italoamericano: http://www.italoamericano.org/story/2015-12-11/dan-fante

Dan Fante and Iain Levison

Dan Fante and Iain Levison both have new books already here or coming soon. Fante's new novel, 86'd, was published on Monday, September 22, 2009, and Levison's novel, How to Rob an Armored Car is due out on October 1. Links to my brief interviews with both writers are found below:

http://whenfallsthecoliseum.com/2009/05/21/an-interview-with-author-dan-fante/

http://kudera.blogspot.com/2009/05/writing-life-starring-iain-levison.html

These two URLs lead directly to the title on the virtual shelf of our commander-in-book:

http://www.amazon.com/How-Rob-Armored-Iain-Levison/dp/1569475997/ref=sr_1_1?ie=UTF8&s=books&qid=1253733814&sr=8-1

http://www.amazon.com/86d-Novel-P-S-Dan-Fante/dp/0061779229/ref=sr_1_1?ie=UTF8&s=books&qid=1253734440&sr=1-1

As you know, you can buy books from sources other than amazon.com, and it is probably a good idea to do so if you want those sources to continue to exist. Having added that bit of op-ed, I should also now admit that I am at least 30 miles from a brick-n-mortar store that might stock either title, and so I just purchased one of them from Jeff Bezos and his shareholders along with a first novel titled Remedies from Philadelphia's own Kate Ledger.

Happy literature.

Chump Change Published by Harper Perennial!

In a win for Dan Fante, fans of Dan Fante, and all literature of the lower life, drinking life, skid row, or otherwise down-and-out parts of America, Harper Perennial appears to be publishing a trade paperback of Dan Fante's Chump Change. According to amazon.com, the Harper Perennial Chump Change is due out in December 1, 2009 and will presumably be available "wherever books are sold." In fact, all three novels in Fante's "Bruno Dante trilogy" will be published by Harper then.

To me, the fact Harper is publishing his novels eleven years after Sun Dog Press published Chump Change (1998) is just another sign that American literary agents and publishers are not always the best judges of talent nor are they always in tune to what will sell. We can all see there is plenty of room on the shelf for Harry Potter, Terri McMillian, Stephen King, and other mainstream dominators of book markets, but I believe many, many readers are looking for more realistic versions of reality. So to speak. We don't have to read that 1 in 10 Americans receives food stamps or see 600,000 jobs lost each month to know that the other side or underside of America is more likely the one we live in, come from, or understand to describe the majority around us.

Fante is one of several American authors published in French translation even before his books were published in the United States. Iain Levison, talented and sardonic author of A Working Stiff's Manifesto, appears to have been in a similar position with his most recent book, Dog Eats Dog. Based on my research on amazon, Levison's third novel was published in French before English. I am not familiar with Bitter Lemon Press, but it seems possible this is Levison's own press, and like many other authors, he has determined to take American marketing and distribution into his own hands. The French have always had a taste for the sad side of the American Dream, and to some extent, it seems like we owe them thanks for alerting us to some top-shelf prose written by living Americans.

My sense is that literary agents and publishers are so certain that America demands an optimistic, palatable version of America that readers will shy away from titles like these that describe the grittier side of our streets. When one considers just how central failure is in the American literary canon (Moby Dick, The Great Gatsby, Herzog, A Fan's Notes, etc.), it doesn't make sense that these books would be ignored. For now, we can send kudos to Fante for keeping his books in print and do our rain dances for underdog book sales everywhere.

L. A. Books

I've recently been enjoying novels set mainly in Southern California such as The White Boy Shuffle and How To Get Into The Twin Palms. I've also been following So Cal fires and oil spills, and I'm even getting e-mail  on L.A. social-justice "gap year" programs.

So, naturally, I took it all as a sign that I was due to link and list:

Novels:

The Sellout by Paul Beatty

The White Boy Shuffle by Paul Beatty

Chump Change by Dan Fante

Ask the Dust by John Fante

Dreams from Bunker Hill by John Fante

The Road To Los Angeles by John Fante

Which Side Are You On? by Ryan Lee Wong

The Crying of Lot 49 by Thomas Pynchon

The Player by Michael Tolkien

How To Get Into the Twin Palms by Karolina Waclawiak

Memoir:

Ham on Rye by Charles Bukowski

Fante by Dan Fante

Splinters by Leslie Jamison

I'll add links and other books soon, but please feel free to note your own in a comment.

Fante criticism but no fiction

Well, I've been blogging on Saving Bookstores (and buying more than I should, too), but I wanted to come clean and be sure that everyone knows that I purchased the John Fante straight from the Evil Bezos himself on Friday. This was after I discovered that my otherwise wonderful university library had books of John Fante criticism but none of his novels.

Please thank Allen Ginsberg if this first thought is in fact the best one:

The parasites suck the host dry and then live to gloat about it in the stacks!

(I should come clean and admit that I checked out both books of criticism and have enjoyed some of the essays so far. In fact, if you count comp and business writing as separate strands of college English, then for some time now, I've been swinging from far more than two sides of the departmental plate.)

Well, I've read The Road to Los Angeles and Ask the Dust, so I ordered Dreams from Bunker Hill and The Brotherhood of the Grape.

If you want to learn more about John Fante, or the writing of his son Dan, then John's Ask the Dust and Dan's Chump Change are good places to start, but Dan Fante's memoir Fante: A Family's Legacy of Writing, Drinking, and Surviving coming later this summer, will work just as well. Maybe better.

Dan Fante interview posted at whenfallsthecoliseum.com

Dan Fante's fiction is soaked in vodka and chased down with mad dog, but he dried out to write it: http://whenfallsthecoliseum.com/2009/05/21/an-interview-with-author-dan-fante/#more-1025New. Look for his new Bruno Dante novel, 86'd, this fall.

delillo on bellow

Their names share four letters, split between vowels and consonants, and now Delillo has won a PEN award in the more ashen man's name. For lifetime achievement defined by quantity of good to great novels, could there be a post-war American writer greater than these two? Don't give me Roth and don't tell me Bellow isn't only post-war.

Delillo I've read: Americana, End Zone, Great Jones Street, Ratner's Star, Players, The Names, White Noise, Libra, Mao II, Underworld, and Cosmopolis. (I think that's it.) I've also read Delillo's somewhat famous essay on 9/11 as well as a short story or two.

Bellow I've read: Seize the Day, Herzog, Mr. Sammler's Planet, The Dean's December, Ravelstein, and perhaps a short story or two. A short piece by Bellow I like is his introduction to Allan Bloom's The Closing of the American Mind, where, to me, he makes it clear that he does not necessarily see things the same way. I'm not sure that the university is still a place where people with even strongly opposing political views might support each other's work or at least respect its place in print. (Well, I guess these days everyone is too busy with their teaching overloads, publication schedules, and "specializations" to read each other's work. And that would more likely be online, yes, indeed.)

OK. In conclusion, I've read more Delillo than Bellow (and I'm willing to wager that you have too) although Bellow would seem to be a more significant influence in my own literary efforts, if either of these guys is any kind of influence at all. (Well, I guess you can't have an alienated male protagonist or antihero in an American novel without implicitly referencing these two.) I've tried to describe Fight for Your Long Day as a cross between novels by Saul Bellow and Dan Fante, but I'm not sure it would be understood that way, and I doubt many of my readers will have read much by those two anyway. (This does not imply I have "many readers" as of this blogging.) I'd probably be better off comparing it to movies. . . ah, humanity.

As an aside on Italian American novelists, I should note that for me, Don Delillo completely kicks Richard Russo's ass--although Russo is said to be a wonderful person, and Straight Man is fun--and is the undisputed lone heavyweight in the category although Dan and John Fante would be my sentimental favorites on this list and I'm pulling for Dan Fante's buddy Mark SaFranko (who was kind enough to let me know soon after this post that in fact he is not Italian; okay, we'll handle that another time but keep his name under the bright lights of USK) as well as two of the guys Dan Cafaro has signed up for publication at Atticus Books. Maybe we'll Jew-list another day. Oy vey.

(Mark's correction just reminded me of a thought I had on the way to the library. Saul Bellow was born in Quebec.)

UPDATE 03/04/2023: Only this past summer, I read Bellow's Humboldt's Gift, and at some point after I wrote this blog entry, I read The Adventures of Augie March.

Fante Published Today

Dan Fante's Fante: A Family's Legacy of Writing, Drinking, and Surviving is officially out and about today. I was lucky enough to read it earlier this summer, and my immediate sense was that Dan had written his best book yet.

It also got me back to exploring his father's novels, and I particularly enjoyed Dreams from Bunker Hill and The Brotherhood of the Grape.

The Less United States of Kudera is wishing Dan well at his hometown reading this Friday night at Skylight Books in Los Angeles. Here's my interview with Dan on his Bruno Dante novels, his father, alcoholics anonymous, and more.

dollar store realism

If Raymond Carver's dirty realism is K-Mart realism, then perhaps Barry Graham's The National Virginity Pledge could be called Dollar Tree realism. His short, spunky stories arrived in my mail slot with Ben Tanzer's This American Life. Tanzer hasn't told me that his new marketing strategy is to get sued by NPR and made famous thusly, but his title story does tackle this concern in part. I did get a chance to tell Ben that his productivity and pace of publication is amazing. He's written a lot of books. And he just burst through the doors of Powell's and got all of his paperbacks on the shelf. He's an animal. I fear for his wife.

But back to Graham, a couple writers his dirty themes and spare prose remind me of would be Dan Fante and Mark SaFranko, and both of these guys were recently seen in the cyberworld. SaFranko's No Strings Attached, a new novel, arrives this fall from Black Coffee Press:

And Dan Fante was found signing books in Barcelona this week:

And then it was time for writers all over the world to have a relaxing weekend that includes at least one good, long nap. I'll go out on a limb and call that a code for success.

Fight for Your Long Nap!

Interview with Dan Fante

Find at Substack a reprint of 2009's "Interview with Dan Fante."

draft in progress: over a hundred favorite novels (and novellas) not in order

      A Fan's Notes by Fred Exley

      The Crying of Lot 49 by Thomas Pynchon

Vineland by Thomas Pynchon

Brothers Karamazov by F.D.

The Wapshot Chronicle by John Cheever

Chump Change by Dan Fante

The Sell-Out by Paul Beatty

The White Boy Shuffle by Paul Beatty

Who Will Run the Frog Hospital? by Lorrie Moore

Moby-Dick by Herman Melville

Absalom, Absalom by William Faulkner

Light in August by William Faulkner

Hunger by Knut Hamsun 

Candide by Voltaire

Lolita by Nabokov

Revolutionary Road by Richard Yates

The Lazarus Project by Aleksandar Hemon

Nanjing Requiem by Ha Jin

War Trash by Ha Jin

The Joke by Milan Kundera

Petersburg by Andrei Biely

Envy by Yuri Olesha

Native Son by Richard Wright

Catcher in the Rye by J.D. Salinger

2666 by Robert Bolano

Home Land by Sam Lipsyte

The Ice Storm by Rick Moody

The Music of Chance by Paul Auster

White Noise by Don DeLillo

Americana by Don DeLillo

End Zone by Don DeLillo

Libra by Don DeLillo

The Great Gatsby by F. Scott Fitzgerald

The Sun Also Rises by Ernest Hemingway

A Farewell to Arms by Ernest Hemingway

Mr. Sammler's Planet by Saul Bellow

Herzog by Saul Bellow

Ravelstein by Saul Bellow

Humboldt’s Gift by Saul Bellow

The Ghostwriter by Philip Roth

I Married a Communist by Philip Roth

Caucasia by Danzy Senna

Native Speaker by Chang Rae Lee

Hard Times by Charles Dickens

The Mayor of Casterbridge by Thomas Hardy

A Tale of Two Cities by Charles Dickens

The Mill on the Floss by George Eliot

Too Late the Phalarope by Alan Paton

A Portrait of the Artist as a Young Man by James Joyce

The Human Stain by Philip Roth

Mickelsson's Ghosts by John Gardner

Water Music by T. C. Boyle

World's End by T.C. Boyle

Budding Prospects by T.C. Boyle

Even Cowgirls Get the Blues by Tom Robbins

Another Roadside Attaction by Tom Robbins

Rabbit is Rich by John Updike

Rabbit at Rest by John Updike

The Adventures of Huckleberry Finn

The Nun by Denis Diderot

Invisible Man by Ralph Ellison

Television by Jean-Phillippe Toussaint

The Savage Detectives by Roberto Bolano

The Sot-Weed Factor by John Barth

The Corrections by Jonathan Franzen

Revulsion by Horacio Castellanos Moya

Zone by Mathias Enard

Journey to the End of Night by Celine

Dreams from Bunker Hill by John Fante

Ask the Dust by John Fante

The Brotherhood of the Grape by John Fante

Outline by Rachel Cusk

Convenience Store Woman by Sayaka Murata

Correction by Thomas Bernhard

Extinction by Thomas Bernhard

Camera by Jean-Phlippe Toussaint

The Bathroom by Jean-Philippe Toussaint

Concrete by Thomas Bernhard

Immortality by Milan Kundera

The Unbearable Lightness of Being by Milan Kundera

Old Masters by Thomas Bernhard

The Trial by Franz Kafka

The Castle by Franz Kafka

Confessions of a Lady Killer by George Stade

Blood Meridian by Cormac McCarthy

All the Pretty Horses by Cormac McCarthy

Independence Day by Richard Ford

The Lay of the Land by Richard Ford

The Chaneysville Incident by David Bradley

Middle Passage by Charles Johnson

Memory of Departure by Abdulzarak Gurnah

Afterlives by Abdulzarak Gurnah

Heaven by Mieko Kawakami

Wake Up, Sir! by Jonathan Ames

The Extra Man by Jonathan Ames

The Rings of Saturn by W. G. Sebald

A Bend in the River by V.S. Naipaul

Shame by Salman Rushdie 

I Served the King of England by Bohumil Hrabel

Too Loud a Solitude by Bohumil Hrabel

Firmin by Sam Savage

Mad Toy by Roberto Arlt

The Seven Madmen and the Flamethrowers by Roberto Arlt 

V by Thomas Pynchon

Gravity's Rainbow by Thomas Pynchon

Billy Budd by Herman Melville

Benito Cereno by Herman Melville

Crime and Punishment by F. D.

The Possessed (Demons or The Devils) by F. D.

A School for Fools by Sasha Sokolov

The House of Mirth by Edith Wharton

Washington Square by Henry James

Sula by Toni Morrison

Their Eyes Were Watching God

A Separate Peace

My Antonia by Willa Cather

Giants in the Earth by O. E. Rølvaag

Run Me To Earth by Paul Yoon

White Mythology by W.D. Clarke

Mrs. Bridge by Evan S. Connell

The Beautiful Things That Heaven Bears by Dinaw Mengestu

The Story of My Wife by Milan Fust

The Incorporation of Eric Chung by Steven C. Lo

Straight Man by Richard Russo

Wonder Boys by Michael Chabon

The Virgin Suicides by Jeffrey Eugenides

The Ice Storm by Rick Moody

Hating Olivia by Mark SaFranko

The Notebooks of Malte Laurids Brigge by Rainer Maria Rilke

Fight for Your Long Day by Alex Kudera

Auggie's Revenge by Alex Kudera

A Hero of Our Time by Mikhail Lermontov

Fathers and Sons by Ivan Turgenev

The Red Badge of Courage by Stephen Crane

A Passage to India by E. M. Forrester

All Quiet on the Western Front by E. Remarque

The Scarlett Letter by Nathaniel Hawthorne

Roughing It by Mark Twain

The Adventures of Huckleberry Finn by Mark Twain

The Mysterious Island by Jules Verne

Ivanhoe by Sir Walter Scott

Kerouac, Fante, a few others dropped in without supporting detail

So I'm thirty-five pages from the end of Point Doom, the serial-killer novel I had to step back from, and twenty-six pages from the end of The Dharma Bums, the Kerouac does Zen and backpacking I sought safety in, and I just remembered that the two have also intersected within the text, and this could be another reason Fante drove me back to Kerouac.

Early on the gritty SoCal AA mystery, Fante's protagonist notes:

Jack Kerouac once wrote that "the only people for me are the mad ones. . . who never yawn or say a commonplace thing, but burn burn burn like fabulous yellow roman candles exploding like spiders across the stars."

That's crap, but thanks, Jack. For the last few years in New York I'd tried to be one of Jack's people. In my spare time I wrote a book of poems and, before he died, I had even worked with my dad, Jimmy Fiorella, and coauthored a couple of screenplays, but eventually I discovered the truth about Kerouac, that crap, and those people: most of them wind up in the bughouse or with a mouthful of broken teeth and a jar of Xanax. Or worse. They wind up OD'd and dead. (13)

Fante has a point about romanticizing alcoholism, drug abuse, unemployment, homelessness, and the rest of gritty reality that sets in when the candles burn down and away, but Kerouac of The Dharma Bums seems much more "chill" than this famous quotation suggests.

At this point, I must confess I took a break from "typing" this blog (et tu, Capote), and returned to the Kerouac, and so I'm now within twenty pages of the end.

Alas, I took two breaks, and now I'm finished the book. For the most part, I liked the mood of the book and the descriptions of nature, and even the wild, all-night party sections were okay although I'd recommend Pynchon's V for that kind of party scene.

Okay, back to Fante and then maybe Norman Rush, Philip Roth, or David Lodge comes next. These slightly higher-brow writers are ones I've also enjoyed reading in 2013, and this summer, I also read and liked very much the afore-dissed Truman Capote's "Children on their Birthdays."

Sorry I meander and weave and provide so little detail.

PS--I finished Fante's Point Doom; the final torture scenes were not nearly as harrowing as I'd anticipated (why I'd moved away from the book a few times toward the end). The ending includes the perfect set up for a sequel, but I hope Dan gets us another memoir or Bruno Dante novel. Chump Change and Fante: A Family's Legacy of Writing, Drinking and Surviving remain my favorites.

Interviews (Answer and Ask)

Answer:

American, British and Canadian Studies Journal
"An Interview with Alex Kudera, Author of Fight for Your Long Day" by Merritt Moseley (June, 2016)

Chronicle Vitae
"The Novelist Who Chronicles Life as an Adjunct" by William Pannapacker (January 8, 2014)

Word of Mouth (New Hampshire Public Radio)
"Fight for Your Long Day" by Rebecca Lavoie (April 4, 2013)

Foreward Reviews
“One of a Kind: A ForeWord Interview with Alex Kudera” Atticus Books Online (May-June 2011)

The Next Best Book Blog
"In Conversation: Lavinia Ludlow Interviews Alex Kudera" by Lavinia Ludlow (April 26, 2016)

This Podcast Will Change Your Life
"This Podcast Will Change Your Life is the Alex Kudera" by Ben Tanzer (August 17, 2016)

Psychology Today
“Darkly Funny Debut Novel Exposes Adjunct Abuse” by Susan K. Perry, Ph.D., Creating in Flow (January 7, 2012)

Karen the Small Press Librarian
"Writer on Writer: Dave Newman Interviews Alex Kudera" by Dave Newman (September 8, 2013)

Clemson University
“English lecturer’s book explores the plight of the adjunct professor” by Angela Nixon, Clemson University media relations (October 11, 2011)

The Chronicle of Higher Education
“An Award-Winning Author on Adjuncts” by Isaac Sweeney, The Chronicle of Higher Education (June 1, 2011)

When Falls the Coliseum
“The Life of an Adjunct: An Interview with Novelist Alex Kudera” by Robert Anthony Watts, When Falls the Coliseum (November 1, 2010)

We Who Are About to Die
“We who are about to breed: Alex Kudera” by Patrick Wensink, We Who Are About to Die (September 27, 2011)

Smarts and Culture
“How One Author Finds an Audience: Part 1″ by Maryann Devine, smArts and Culture (October 27, 2010)

“How One Author Finds an Audience: Part 2″ by Maryann Devine, smArts and Culture (October 26, 2010)

Atticus Books
“Interview with Alex Kudera, Part 2 of 2′” by Dan Cafaro at Atticus Books Online (August 2, 2010)

“Interview with the Author of ‘Fight for Your Long Day, Part 1′” by Dan Cafaro at Atticus Books Online (July 22, 2010)

The New Dork Review of Books
“The Blogger/Novelist Relationship, with Alex Kudera (Part 2)” by Greg Zimmerman, The New Dork Review of Books (August 8, 2011)

“The Blogger/Novelist Relationship, with Alex Kudera (Part 1)” by Greg Zimmerman, The New Dork Review of Books (August 4, 2011)

And Ask:

"Chinese Gucci: The Interview": Part 1, Part 2, Part 3, and Part 4, The Less United States of Kudera,
May 12, 15, 19 and 22, 2020

"An Interview with Rebecca Schuman" When Falls the Coliseum, April 13, 2017

"Bay Area Blues: An Interview with Lavinia Ludlow" JMWW, February 29, 2016

"Writer on Writer: Part Two, Alex Kudera Interviews Dave Newman" Karen the Small Press Librarian, September 16, 2013

"An Interview With Nancy Peacock" plus Part 2, and Part 3, The Less United States of Kudera, March 31, 2013 to April 3, 2013

"John Warner on Frederick Exley" When Falls the Coliseum, May 13, 2011

"The Exley Influence: A Riff Between Two Authors 'Falling Inward'" Atticus Books Online, February 25, 2011

"Exley, Clarke, and Eleanor Henderson" When Falls the Coliseum, November 9, 2010

"Interview With Mark SaFranko" When Falls the Coliseum, October 19, 2010

"Interview With Dan Cafaro of Atticus Books" When Falls the Coliseum, August 9, 2010

"An Interview With Lee Konstantinou" When Falls the Coliseum, May 13, 2010

"An Interview With Jean-Philippe Toussaint" When Falls the Coliseum, April 19, 2010

"Returning 'Home': An Interview With Jayne Anne Phillips" The South Carolina Review, Spring 2010 (link to table of contents but not the interview)

"Interview With Olga Gardner Galvin" When Falls the Coliseum, June 22, 2009

"An Interview With Author Dan Fante" When Falls the Coliseum, May 21, 2009

"The Writing Life Starring Iain Levison" The Less United States of Kudera, May 4, 2009

"An Interview With Cassendre Xavier" The Less United States of Kudera, March 15, 2009

"Don Riggs on Writers and Writing" The Less United States of Kudera, March 9, 2009

one-sitting reads

Both "Frade Killed Ellen" and The Betrayal of Times of Peace and Prosperity fall under the category of one-sitting reads, although increasingly, I find that I enjoy returning even to the shortest stories to consider them over several sittings, often rereading earlier passages, the beginning, etc.

But here are lists of classic short reads, longer novellas and short novels, one of "The 20 Best Novellas in the History of Mankind" and another of "17 Brilliant Short Novels You Can Read in a Sitting."

Some of my favorites that didn't make either list are Herman Melville's Benito Cereno, Kate Chopin's The Awakening, Yuri Olesha's Envy, John Fante's The Brotherhood of the Grape, Dan Fante's Chump Change, and Camera by Jean-Philippe Toussaint.

Fante's Hunger

"From the bookcase behind his writing table, I pulled down a copy of Hunger by Knut Hamsun. This book, my father used to say, caused him to become a writer. I held it in my hand and flipped through the old pages. Somewhere in the middle, I discovered a sheet of typing bond that had been folded in quarters. It looked to have been used as a bookmark. It was yellow from age at the top where it had been exposed to the air.

"I unfolded the make-shift bookmark and immediately recognized the handwriting as my father's. But over and over, the signature written was Knut Hamsun. Knut Hamsun. Knut Hamsun. A paper was filled to the bottom of the page. The eccentricity jolted me because I'd done the same thing a hundred times, filling legal tablets with E. E. Cummings' signatures. The old man and I had things in common after all."

~~ from Chump Change by Dan Fante

44

Another thing I liked about Dan Fante's Point Doom is that the narrator is 44 years old when the action takes place. It made me feel like a bit less of a failure, reading about this other 44-year-old who can barely stay sober and off his mom's couch. (It should be noted that I'm writing this from a soft chair in my mother's living-room area although that isn't my permanent residence.)

Also, I'm almost certain there was a 44-year-old lurking in the shadows of the next novel I read, Dave Newman's excellent Pittsburgh novel, Raymond Carver Will Not Raise Our Children, but I don't think it was Richard, a background character and officemate who I could relate to somewhat in his sensitivity to the meanness of an aggressive student (I should say, thankfully, no student has ever thrust a pen at my head). I also just found this great review of that book that mentioned Fante and his buddy Mark SaFranko in the first paragraph.

My daughter knows I'm 44, and for fun, she told a 66-year-old that I was 88.

26 fictions and 3 memoirs that stayed with me (and then more than 9 others)

(For my favorite novels and short story collections, I limited myself to fiction but cheated so I could add Richard Wright's Black Boy and Iain Levison's A Working Stiff's Manifesto. I listed no more than one work per author.)

1) A Fan's Notes by Fred Exley
2) The Crying of Lot 49 by Thomas Pynchon
3) Brothers Karamazov by F.D.
4) Chump Change by Dan Fante
5) Like Life by Lorrie Moore
6) Moby-Dick by H. Melville
7) Absalom, Absalom by William Faulkner
8) Hunger by Knut Hamsun 
9) Candide by Voltaire
10) Lolita by Nabokov
11) Revolutionary Road by Richard Yates
12) The Lazarus Project by Aleksandar Hemon
13) The Bridegroom and Other Stories by Ha Jin
14) The Middleman and Other Stories by Bharati Mukherjee
15) A Working Stiff's Manifesto by Iain Levison 
16) The Joke by Milan Kundera
17) Petersburg by Andrei Biely
18) Envy by Yuri Olesha
19) Black Boy by Richard Wright
20) Catcher in the Rye by J.D. Salinger

and then I thought of some more (and cheated more with memoirs, Offutt and Pham):

21) The Music of Chance by Paul Auster
22) White Noise by Don DeLillo
23) The Great Gatsby by F. Scott Fitzgerald
24) The Sun Also Rises by Ernest Hemingway
25) Mr. Sammler's Planet by Saul Bellow
26) The Same River Twice by Chris Offutt
27) Catfish and Mandala by Alexander X. Pham
28) Caucasia by Danzy Senna
29) Native Speaker by Chang Rae Lee

And because this is such a highly professional blog, I'll come back later and add some links.

30) Hard Times by Charles Dickens
31) A Portrait of the Artist as a Young Man by James Joyce
32) The Cliff Walk by Don J. Snyder
33) The Human Stain by Philip Roth
34) Mickelsson's Ghosts by John Gardner
35) Water Music by T. C. Boyle
36) Invisible Man by Ralph Ellison
37) Television by Jean-Phillippe Toussaint

and saving the best for last

38) The Savage Detectives by Roberto Bolano although Last Evenings on Earth is an extremely close second for me

Until I remembered to also include these:

39) Selected Stories by Andre Dubus
40) The Overcoat and Other Tales by Nikolai Gogol
41) Where I'm Calling From by Raymond Carver
42) The Sot-Weed Factor by John Barth

So with that final four, until I remember others, I still kind of have a saving-the-best-for-last thing going on.

Feel free to find me at Goodreads for star ratings and a few reviews.

A fine final correction would be

43) The Corrections by Jonathan Franzen

Okay, then, until I add more. . .

44) Revulsion by Horacio Castellanos Moya
45) Zone by Mathias Enard
46) Journey to the End of Night by Celine
47) Ham on Rye by Charles Bukowski
48) Dreams from Bunker Hill by John Fante
49) Outline by Rachel Cusk
50) Convenience Store Woman by Sayaka Murata
51) Correction by Thomas Bernhard
52) The Metamorphosis, In the Penal Colony, and Other Stories by Franz Kafka
53) Confessions of a Lady Killer by George Stade
54) Blood Meridian by Cormac McCarthy
55) Independence Day by Richard Ford
56) The Chaneysville Incident by David Bradley
57) Middle Passage by Charles Johnson

58) Memory of Departure by Abdulzarak Gurnah

There were others I should have added, and then new ones appeared.

59) Blue Highways by William Least Heat-Moon

60) Heaven by Mieko Kawakami

61) Wake Up, Sir! by Jonathan Ames

Note: I do not see W. G. Sebald above, and I believe that I doubted it fit into categories such as "the novel," "fiction," or "memoir," so below I am adding it with other favorite titles that might not easily fit although I'm not ready to add Thucydides, Foucault, Nietzsche, and so on.

62) The Rings of Saturn by W. G. Sebald

63) The Lonely City: Adventures in the Art of Being Alone by Olivia Laing

64) A Bend in the River by V.S. Naipaul

65) Shame by Salman Rushdie 

66) I Served the King of England by Bohumil Hrabel

67) Mad Toy by Roberto Arlt

Mark and Dan

 

Mark SaFranko's Nowhere Near Hollywood and Dan Fante's Chump Change

New Interview with Mark SaFranko

Our friend, the late Dan Fante, was encouraged early in his writing career by supportive words of Hubert Selby Jr.  Was there anyone who significantly did the same for you? 

It’s still hard to believe that Dan is gone. I miss hearing his voice. To answer your question, there was my wife. She believed in me and was supportive from the beginning. One writer who was supportive was the late mystery writer Mark McGarrity, aka Bartholomew Gill. But on the whole I had to rely on myself. And it wasn’t easy much of the time, especially in the early days when I had no belief whatsoever in myself.

Follow the link for the full interview from Steven Brodsky at delcoculturevultures.com.

a happier life

"I didn't want Rocco to finish his life on the back seat of my car surrounded by hack fiction, cigarette butts and empty potato chip bags. I wanted him to die at Jonathan Dante's home in Malibu. He'd lived his life near the smell of his master and the things that were familiar—on the carpet in the old man's den where he would snooze while my father banged away on his typewriter hour after hour, where the sweetness of the ocean's sound and the taste of the salted air would remind him of a happier life."

~~ from Chump Change by Dan Fante