The new issue of the iconoclastic The Agonist is out, and in it for the first time, I got caught up with the Stephen King controversy. I had seen his name trending, and I know he is vocal on twitter, blocked by the president, etc., but there is too much of this stuff to follow it all. Anyway, in "The Doomed Equality Movement" by Daniel N. Davidson, I read
The author Stephen King has lately been excoriated for saying that he “would
never consider diversity in matters of art, only quality. It seems to me that to
do otherwise would be wrong.” For that he was accused of exercising white
privilege, being an opponent of affirmative action, and promoting systemic bias.
Rather, his critics insist, one should judge by the criterion of diversity–which
would mean the division of all honors so that all self-identifying groups get
theirs.
I do not know if any current "equality movement" will fail or succeed, but the passage reminded me of Stephen King's lament, expressed somewhere in his famous On Writing: A Memoir of the Craft. This memoir on the writing life is likely the only King that those of us who don't read horror have read, and in it, he expressed the wish that he were better recognized as a genuine literary talent—a "sentence maker" as we could say. In the passage I'm thinking of, he is also considering his fellow novelist-musician Amy Tan, and expressing dismay that their bestselling novels are never recognized as having literary qualities, in particular he notes they are not recognized for "the language." I am recalling this from memory, and I'm sorry I don't have the passage handy, but we've come a long way—or there's been a long fall?—when a figure such as Stephen King can be recognized and "excoriated" for being a kingmaker in the world of "high brow" art. Where is the Nobel committee? Or Joyce scribbling in his grave? Is Stephen King's opinion on "matters of art" supposed to matter at all? Why isn't Thomas Pynchon on twitter? And, no, I do not mean to imply that King is overrated in the genres he's working in—the horror novel and the tweet.
Alex Kudera’s award-winning novel, Fight for Your Long Day (Atticus Books), was drafted in a walk-in closet during a summer in Seoul, South Korea. Auggie’s Revenge (Beating Windward Press) is his second novel. His numerous short stories include “Frade Killed Ellen” (Dutch Kills Press), “Bombing from Above” (Heavy Feather Review), and “A Thanksgiving” (Eclectica Magazine).
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Saturday, July 4, 2020
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Auggie's Revenge and Fight for Your Long Day
affordable copies
Why pay less when spending more is so easy and free? Right. In other words, if anyone would like a shipped paperback copy of Auggie...
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In theory, a book isn't alive unless it's snuggled comfortably in the reading bin in the bathroom at Oprah's or any sitting Pres...
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Reading Little White Duck: A Childhood in China led me to Wuhan, China, a large sprawling city dissected by a huge river that Chairman Mao ...
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And Duffleman has the nerve to think he has problems! Is he a homeless man breaking into and reopening a bar? No. Is he earning over $10K a...
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I've been reading Zone by Mathias Enard, tired sometimes and spacing out, but always some vivid description or series of incisive fused...
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I stumbled upon a couple articles on Atlantic City's current casino "contraction," here and here , and it sounds like the bea...
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It's always a bit disappointing to see these somewhat simplistic articles get a shiny new website when my more developed and nuanced n...
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" Frade Killed Ellen " is featured at GoodKindles today and received a full review at Goodreads earlier in the week. Look ...
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Two articles on retail work in America recently caught my eye: here and here .
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Marcus Hayes, along with the comments that follow, pretty much sums up the brutality, angst, glory, forgiveness, sin, exploitation, joy, pai...
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Lavinia Ludlow's Single Stroke Seven drops on March 1, and I had a chance to ask her questions about the writing life, unaffordable ho...