A few days ago, I finished Charlotte Mandell's French-to-English translation of Mathias Enard's Zone, which has several wonderful references to and anecdotes about Celine, and then, this evening I began Kurt Vonnegut's Slaughterhouse Five, and it takes me only to page 19 to find Celine once more:
My other book was Erika Ostrovsky's Celine and His Vision. Celine was a brave French soldier in the First World War--until his skull was cracked. After that he couldn't sleep, and there were noises in his head. He became a doctor, and he treated poor people in the daytime, and he wrote grotesque novels all night. No art is possible without a dance with death, he wrote.
The truth is death, he wrote. I've fought nicely against it as long as I could. . . danced with it, waltzed it around. . . decorated it with streamers, titillated it. . .
Time obsessed him. Miss Ostrovsky reminded me of the amazing scene in Death on the Installment Plan where Celine wants to stop the bustling of a street crowd. He screams on paper, Make them stop. . . don't let them move anymore at all. . . There, make them freeze. . . once and for all! . . . So that they won't disappear anymore!
*Note: On Monday, between Enard and Vonnegut, I read and enjoyed Jean-Philippe Toussaint's Self-Portrait Abroad.
Alex Kudera’s award-winning novel, Fight for Your Long Day (Atticus Books), was drafted in a walk-in closet during a summer in Seoul, South Korea. Auggie’s Revenge (Beating Windward Press) is his second novel. His numerous short stories include “Frade Killed Ellen” (Dutch Kills Press), “Bombing from Above” (Heavy Feather Review), and “A Thanksgiving” (Eclectica Magazine).
Showing posts with label Zone. Show all posts
Showing posts with label Zone. Show all posts
Tuesday, June 2, 2015
Sunday, May 24, 2015
Zone by Mathias Enard
I've been reading Zone by Mathias Enard, tired sometimes and spacing out, but always some vivid description or series of incisive fused sentences (indeed) lures me back in. I'm experiencing it mainly as anti-war / anti-genocide and with some great literary references and anecdotes. Almost all of these, for better or worse, are to 20th Century European or American literature, but they are some fantastic ones, from Celine to the Beats and beyond.
So I recommend the book. It seems deserving of as many readers as Bolano, Knausgaard, and recent others from Europe whose longer works sold well in the states, yet the poor guy cannot even get a Wikipedia entry going.
So I recommend the book. It seems deserving of as many readers as Bolano, Knausgaard, and recent others from Europe whose longer works sold well in the states, yet the poor guy cannot even get a Wikipedia entry going.
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