'A block away from the library I opened one of [Mencken's] books and read a title: A Book of Prefaces. I was nearing my nineteenth birthday and I did not know how to pronounce the word "preface." I thumbed the pages and saw strange words and strange names. I shook my head disappointed. I looked at the other book; it was called Prejudices. I knew what that word meant; I had heard it all my life. And right off I was on guard. . . . That night in my rented room, while letting the hot water run over my can of pork and beans in the sink, I opened A Book of Prefaces and began to read. I was jarred and shocked by the style, the clear, clean, sweeping sentences. Why did he write like that? And how did one write like that? . . . He was using words as a weapon, using them as one would use a club. Could words be weapons? Well, yes, for here they were. Then, maybe, perhaps, I could use them as weapon? No. It frightened me. I read and what amazed me was not what he said, but how on earth anybody had the courage to say it.'"
Alex Kudera’s award-winning novel, Fight for Your Long Day (Atticus Books), was drafted in a walk-in closet during a summer in Seoul, South Korea. Auggie’s Revenge (Beating Windward Press) is his second novel. His numerous short stories include “Frade Killed Ellen” (Dutch Kills Press), “Bombing from Above” (Heavy Feather Review), and “A Thanksgiving” (Eclectica Magazine).
Monday, May 25, 2026
words as a weapon
"His war against puritans is what his liberal admirers have in mind when they argue that he should be 'celebrated and remembered' as 'a tremendous liberating force in American culture.' Nowhere has this belief been explained more dramatically (or, in light of the charges of racism so often leveled at him, more relevantly) than in Richard Wright's Black Boy, a copy of which can be found on the shelves of the Mencken Room. Mencken himself marked this passage from the final chapter:
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Auggie's Revenge and Fight for Your Long Day
Auggie's Revenge at affordable prices
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